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MaGeSY ® R-EVOLUTiON™⭐⭐⭐

  • DRC v2.9.3 AAX VST2i STANDALONE x86 x64 WiN-TCD
    October 29th, 2023 ⚡

    DRC v2.9.3 AAX VST2i STANDALONE x86 x64 WiN-TCD

    .:DRC v2.9.3 WiN:.

    Team TCD | 07 February 2023 | 23.19 MB

    Amazing, Warm Analog Sound.

    DRC is a powerful synthesizer for Desktop and Mobile With a clean, minimal design focused on accessibility, the intuitive interface allows you to concentrate on creativity and control of your sound, free from visual distractions. “DRC Synth” features a modern looking, minimalistic interface with several different colour variations to choose from and has been designed to be as accessible and uncluttered as possible… it is very easy to use. It also features a cloud-based preset management system, which means that sounds to be shared across all available platforms. DRC Synth works equally well for everything from analog-style pads and lush textures to crazy sound effects and stonking basses. With up to eight voices, each with two oscillators, a ring modulator, sub oscillator and noise, DRC is a beefy and versatile subtractive synth (more on these shortly). The integrated and intuitive chorder makes it easy to instantly get the most out of your polyphonic synthesizer, by experimenting with powerful chords.



    Viewed 42504 By Music Producers.


    • SampleTron 2 v2.0.2 VSTi VST3 AU AAX macOS
      October 29th, 2023 ⚡
      Categories: AAX, AU, IK Multimedia, macOS, VST3, VSTi, x64, x64

      SampleTron 2 v2.0.2 VSTi VST3 AU AAX macOS

      SampleTron 2 v2.0.2 macOS

      P2P | 21 November 2021 | 6.8 GB

      Analog tape-based sampling reborn

      SampleTron 2 combines the powerful sound engine of IK’s award-winning SampleTank 4 with IK’s industry-leading tape modeling technology to recreate the distinctive, ultra-vibey sounds of tape-based samplers from the ‘60s and ‘70s, along with quirky early digital sample players and vocoders. This comprehensive collection features deep sampling of vintage Mellotron® and Chamberlin tapes, a collection of new acoustic “non-Tron” sounds with tape processing, and now enables you to load your own samples and create modern audiophile Tron sounds that are uniquely yours.



      Viewed 58155 By Music Producers.


      • Loopmix v1.0.2 WiN-MOCHA
        October 28th, 2023 ⚡
        Categories: AAX, Audio Software, VST3, VSTi, x64, x64

        Loopmix v1.0.2 WiN-MOCHA

        Loopmix v1.0.2 WiN

        MOCHA | 03 January 2023 | 444.77 MB

        ..:: AAX, VST3i, STANDALONE, VST2i, x64 ::..

        The Creative Loop Remixer.

        Transform your loops into a Loopmix makes it fun and easy to instantly remix and rearrange your audio loops! It offers up an array of devices and processors that slice, dice, rearrange, pitch, reverse and remix loops in a truly innovative way. kaleidoscope of new sounds. Load up to 6 loops and let Loopmix generate infinite loop variations. Hit Random, or use its signature Randomization Algorithms: Remix, Infinity, Temporary Randomization and much more…



        Viewed 69919 By Music Producers.


        • Compact DeLuxe v1.0.0 WiN-R2R
          October 28th, 2023 ⚡

          Compact DeLuxe v1.0.0 WiN-MOCHA

          Compact DeLuxe v1.0.0 WiN

          Team R2R | 29 July  2023 | 3.68 MB

          …:VST2i, VST3i, STANDALONE:…

          INSTRUMENT BACKGROUND. Among the many transistor organs of the past, also known as “Combo Organs” (mostly because some of them also had a rhythm section and built-in speakers), the Farfisa Compact DeLuxe, along with its big brother the Compact Duo, was one of the most used organs at least in the european beat scene of the early and mid seventies. The electronic circuit of this kind of organ is relatively simple, at least on paper: rather than using a mechanical tone generator like the tonewheel models (Hammond and Pari), the transistor organs used a circuit called “Top Octave Synthesizer”, TOS for short, responsible of the generation of 12 waveforms, one for each note of the last octave of the organ keyboard. The basic waveform was usually something halfway between a ramp and a triangular. The lower octaves were produced by means of “divider” circuits that could halve the frequency of each waveform, going so forth for each lower octave down to the pedalboard tones. At each division, something was lost and something was gained in terms of harmonic content. The result was that the same notes of different octaves had oscillators perfectly in sync, so all C notes were in sync, all C#, all D and so on. This same technique was also used in so-called “string machines” or “stringer keyboards” that emulated orchestral sounds (violins, trumpets, etc.).



          Viewed 48999 By Music Producers.


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